Home > Schools >

Avid Media Composer 6.5 & Pro Tools 10 - School version

Avid Technology Media Composer 6.5 & Pro Tools 10 at Academic & Collegiate best prices for schools


 
School Price: $495.95

: AVID-06
Qty:

Description System Requirements Who is Eligible to Buy?
 


For Academic Institutions and Faculty only

Media Composer is the top choice for professional film and video editing in the industry. Whether you edit movies, TV shows, commercials, or other video, this industry-standard nonlinear editor provides 64-bit performance, easy-to-use video editing tools, and streamlined HD, file-based, and stereo 3D workflows. Its open platform enables you to work with the gear you have or want and integrate into any workflow. Plus, its designed to eliminate bottlenecks, enabling you to work faster than ever. Whats New? Avid Media Authoring, AFD Support, Advanced relink support, I/O hardware release, Advanced audio keyframing, 64-voice audio support. Includes 3rd Party Apps.

Whether you create music or sound for picture, the right tools can help you achieve the highest quality mixes faster. Pro Tools 10 is the next generation of the best sounding, most widely-used audio production software in the industry, enabling you to record, compose, edit, and mix with great speed and ease.
Specially priced and available exclusively for educational institutions.
Features
  • Version and archive finished sequences with AS-02: With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is easy, as AS-02 packs everything into a single bundle without duplicating assets, saving storage space. Seamlessly move content between Avid and other systems that support AS-02. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02 workflow. And because AS-02 is an open industry standard, you’ll eliminate time wasted on repackaging content.
  • Create master-quality archives with JPEG 2000: Encode and decode sequences—in mastering quality—using the JPEG 2000 codec, which helps preserve the quality of versioning and archival content in an AS-02 workflow. And because JPEG 2000 content offers resolution scalability and holds up over multiple generations when moving content across different vendors’ solutions, you gain future flexibility with archived content.
  • Export content using AMA: AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media’s original source format for archiving or final delivery. AMA writeback is available for HDCAM SR, with more on the way as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archival.
  • Set and output AFD sequences: With new Active Format Description (AFD) support, you can create, edit, set, and deliver HD content, and rest assured that it’ll be presented optimally to your audience as intended—even when down-converted and reformatted to a different aspect ratio. Simply select an AFD code for a sequence, and your settings will carry through your output.
  • Relink clips using common metadata: Gain more freedom and flexibility to interact with media from other software applications. With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields—anything that’s being tracked.
  • Open up your workflow with hardware release: With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware—without disconnecting it—to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between Media Composer and other applications without quitting or rebooting software.
  • Work faster with advanced audio keyframing: Save time when editing soundtracks. With new audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes—including groups—anywhere on the timeline. You can even delete those hidden audio keyframes that can occur as you trim a clip, with just a click.
  • Mix up to 64 audio voices: Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any other NLE.
  • Clip Gain: Speed up editing and mixing with Clip Gain, and easily adjust and match gain levels, pre-mixer (watch the video )
  • Combine audio formats: Use multiple audio formats in a session—including interleave—without file duplication
  • Better audio: Record and master higher resolution sound with more headroom in 32-bit floating-point format
  • Better performance: Experience great responsiveness, from the enhanced disk handler to 4x more ADC
  • More plug-ins: Get the sound of System 5 with Avid Channel Strip and new AAX plug-in support (see the latest AAX news)
  • Export to SoundCloud: Export mixes directly to SoundCloud to share and promote your music to the world

COPYRIGHT © Academic & Collegiate Software, LLC • ALL RIGHTS RESERVED
Built with Volusion